Tim Carpenter
Tim Carpenter lives and works in brooklyn. His photographs have been published in such books as “F-stop: The First Four Years,” “Dirt: Volume One,” and “W Hotels: The Book,” and been featured on such websites as Blueeyes Magazine, File Magazine, f-stop Magazine, Gomma, and Diesel Style. He is an artist in inventory at the Jen Bekman Gallery in Manhattan.
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Artist Statement:
I have often wondered in what way forgotten history abides, and what the consequences are of its being forgotten or brought to mind again. I have always felt that people somehow immortalize themselves in a landscape, that the mere fact of a specific human presence in a place leaves it changed. Walt Whitman was right about everything, never more so than when he celebrated the epic and melancholy beauty created in a place by all the transient multitudes and generations that pass through it. Anonymity is beautiful, and so are names. Universalism is beautiful, and so are particulars.
I didn't write the previous paragraph; Marilynne Robinson did, in her essay "A Great Amnesia." but I couldn’t possibly come up with a better way to express how I feel when I’m making photographs.
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