Perspectives - The Blog

Category: Low Tech


Posted by The Center on October 25, 2010

(Photo credit: Lori Bell, “Yucca On Hillside”)
(Photo credit: Lori Bell, “Yucca”)

Landscape photographers are most readily threaded together by an affinity for their environments. What separates these artists from their counterparts out for an enjoyable stroll in the sunshine is a desire to capture this connection on film. Photographer Lori Bell experiments with multiple photographic mediums in this pursuit but is most attached to those of the toy plastic variety.

She writes:

I live on the beautiful central coast of California where I photograph fields, vineyards, and life around me. I shoot with everything from homemade pinhole cameras to a digital rangefinder but the cameras I am most drawn to are vintage plastic toy cameras that I use with expired 120 film.

More of Lori’s work can be seen at

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Posted by The Center on October 22, 2010

(Photo credit: Ken Jackson, “On Sheep Table Mountain“)

The need to slow down is a recurrent theme amongst our Low Tech entrants. Once upon a time, the idea of photography as a “point and shoot” enterprise was ludicrous – resolutely impossible to create a snapshot when the subject had to be held in the chair by a brace to maintain stillness for lengthy exposure. Despite immersion in the high tech perks of modern photography, Ken Jackson still finds himself drawn to the tactility of the process.

In his own words:

In the last few years, exploring alternative processes has led me to some revelations about photography, and along some very interesting paths. It goes rather against the dominant narrative of digital photography in the early 21st century. Although I frequently use my Mac and Photoshop and often shoot with a DSLR, I find myself more and more drawn to high-touch approach of alternative processes, and the more elemental nature of early photography.

Using precious metals in light-sensitive solution and beautiful papers brings a kind of alchemical magic to the pursuit for me and I expect to be exploring it a lot more. I believe that the medium, the process, and the presentation is nearly as important as the image itself, which is essentially nonexistent until you express it in a particular way with particular materials and processes.

Check out more of Ken’s palladium work at

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